"Find a place inside where there's joy, and the joy will burn out the pain."
(Joseph Campbell)
2013 was significantly less painful than 2012, but I haven't forgotten the feeling and I know some who are still in it.
...Take your pick of versions.
"Find a place inside where there's joy, and the joy will burn out the pain."
(Joseph Campbell)
Furthermore, we have not even to risk the adventure alone; for the heroes of all time have gone before us; the labyrinth is thoroughly known; we have only to follow the thread of the hero-path. And where we had thought to find an abomination, we shall find a god; and where we had thought to slay another, we shall slay ourselves; where we had thought to travel outward, we shall come to the center of our own existence; where we had thought to be alone, we shall be with all the world. (The Hero With a Thousand Faces)(You can hear Campbell quote this at the start of this video.)
The definition of spirituality that works best for me is the idea of connecting with something beyond our own ego boundary, our own sense of ourselves. That's a pretty wide definition, because it includes just about any experience where you get outside yourself-- say, connecting with a larger group at a concert or rally, or with the natural world (on a hike or walking or jogging), or reading, or a variety of other situations besides just the standard religious definition. I don't understand exactly what happens, but I don't think you need to understand it intellectually in order to experience it. So I've accepted my lack of understanding and pursued it (spirituality) anyway. Pursued it because spiritual experiences deeply enrich my life.
"What it's about to me is sort of the destruction of the personality by love; personality and ego and all the things involved in that. Its also about driving through the city streets on a rainy night."
My first instinct was: Yeah, maybe this is the case. Cause I can think of some literary books where the content was what-ev-er, but beautifully or interestingly expressed. And I can think of some genre books with interesting ideas, but run-of-the-mill narration.
What surprises me most about it is the conventionality of its style. It contains no postmodern self-referential cleverness, not even any of the compression and elision that marks so much contemporary fiction. It’s past-tense, third person, with a garrulous narrator who doesn’t mind stepping in for a little exposition now and then.
Why is it that futuristic fiction, informed by the most contemporary of discussions about the most recent of social trends, is usually so formally old-fashioned? These novels – from Ray Bradbury to William Gibson – are in structure and delivery not postmodern or even modern; they are premodern. This is generally, in fact, how we distinguish between genre and literary fiction: genre is wild in its imaginings, stodgy in its style; literary is stodgy in its imaginings, wild in its style. It is rare to see a collision of innovative social thinking and innovative technique.
Knocked up 9 months agoOr it's about trying to get ahead in the music business:
And what she gonna have she don't know
She want neo-soul, this hip-hop is old
She don't want no rock'n'roll
She want platinum or ice or goldOr about leaving behind a legacy, one's art:
She want a whole lot of somethin' to fold
If you a obstacle she just drop ya cold
'cause one monkey don't stop the show
And I'm left to shine, but the legacy I leave behindThere's something interesting going on, lyrically.
be the seed that'll keep the flame
I don't ask for much but enough room to spread these wings
And the world gonna know my name
Richard II (Ben Whishaw) is a vain, self-indulgent man who rules with little regard for his people’s welfare. He is ultimately overthrown by his cousin Bolingbroke (Rory Kinnear), who ascends the throne as Henry IV (Jeremy Irons). Henry IV’s reign is marred by his own guilt over Richard’s death, civil war, and the gnawing fear that his son Hal (Tom Hiddleston) is a total wastrel unworthy of the throne. When Hal comes to the throne as Henry V he is left to bury the ghosts of his father’s past while fighting both the French forces as well as his own inner demons.